Friday, April 30, 2010
119/365 - Running to Stand Still
Unfortunately you can't walk into a store and buy hypodermic needles. So I had to make do with what I had. And I got off my purist soapbox long enough to substitute glycerin for liquid heroin. Acceptable in this instance, I think.
Thursday, April 29, 2010
118/365 - I Walk the Line
It is easy, sometimes, to get stuck photographing the same sorts of things. It's spring. There's lots of flowers. They are pretty. Sometimes you can get a different perspective on them, a fresh look at the familiar. But at the same time, it is easy to keep shooting the same thing, different flower. Then the photos get stale. And the inspiration dries up.
But the thing about this project is I can't say: Screw this, in a few days maybe I will feel creative. No, I have to shoot something.
For the first time yesterday, I actually found that inspiration in music. Maybe it's just me, but there are certain songs, certain lyrics that when I hear them, create snapshot in my head. Or at the very least make me think there's an image in there somewhere. One sense helps feed another sense, stimulating an emotional reaction. And if it's done well, it taps into universal archetypes.
I think music videos, good ones, tap into that. Chris Isaak's "Wicked Game" comes to mind.
This particular image did not come out as I hoped. But at least there was some inspiration involved - sometimes I simply lack the skill to recreate what is in my head. The important thing is to keep on trying.
But the thing about this project is I can't say: Screw this, in a few days maybe I will feel creative. No, I have to shoot something.
For the first time yesterday, I actually found that inspiration in music. Maybe it's just me, but there are certain songs, certain lyrics that when I hear them, create snapshot in my head. Or at the very least make me think there's an image in there somewhere. One sense helps feed another sense, stimulating an emotional reaction. And if it's done well, it taps into universal archetypes.
I think music videos, good ones, tap into that. Chris Isaak's "Wicked Game" comes to mind.
This particular image did not come out as I hoped. But at least there was some inspiration involved - sometimes I simply lack the skill to recreate what is in my head. The important thing is to keep on trying.
Wednesday, April 28, 2010
118/365 - Closing Time
Tuesday, April 27, 2010
117/365 - Catch light
I had an interesting (to me at least) philosophical discussion with myself today. It all started with my quest for glycerin to make better soap bubble planets. I finally found a bottle of the elusive stuff. Once I got home, I was looking at photos that utilized glycerin. And it suddenly hit me - a good deal, if not most, of the really amazing drop pictures I've seen may have been staged. People actually take glycerin and put it on flowers and leaves, etc., in lieu of water drops. It holds up much better, see. And being a little thicker, is easier to photograph. And if there's been no rain lately but you want to take drop shots, presto.
This bothered me. Immensely. Because I go out every single time it is wet out in search of water drops. And most of what I shoot I trash because I think it is crap. And here I could just fake it. But it would not hold the same satisfaction for me.
And although I had bought the glycerin to mix into my soap solution to make the bubbles more colorful, I had thought about trying some drop shots with it. But after having realized how often it's probably done, I wanted nothing to do with it. And in protest I went out and got the shot. The real shot.
This bothered me. Immensely. Because I go out every single time it is wet out in search of water drops. And most of what I shoot I trash because I think it is crap. And here I could just fake it. But it would not hold the same satisfaction for me.
And although I had bought the glycerin to mix into my soap solution to make the bubbles more colorful, I had thought about trying some drop shots with it. But after having realized how often it's probably done, I wanted nothing to do with it. And in protest I went out and got the shot. The real shot.
116/365 - Smoke art
I've wanted to give smoke photography another try, especially now that I have a flash. So, I used stick incense and locked myself in the bathroom to minimize drafts as much as I could. The results were pretty cool - and I has happy because I actually figured out the lighting - I think. I'd like to try it again with some color gels on the flash and multiple exposures.
This was my favorite of the shots I took - I love the subtle curves, especially up at the top. Like a bell jar.
This was my favorite of the shots I took - I love the subtle curves, especially up at the top. Like a bell jar.
Monday, April 26, 2010
115/365 - Fade away
I was trying something new with my camera today. It was supposed to be a picture of a flower, but the technique is cumbersome, tricky and unfamiliar. So I will revisit the flower. But I liked the effect on the clock tower, looking through the skylight.
I used my 35-105 and shot at 1/4 sec. When the shutter released, I zoomed the lens in while turning the camera at the same time. It will take some practice.
I used my 35-105 and shot at 1/4 sec. When the shutter released, I zoomed the lens in while turning the camera at the same time. It will take some practice.
Sunday, April 25, 2010
114/365 - Route 202
What to do on my way home from work tonight? I wanted to get a long exposure, so I set my aperature to f22, my iso to 200 and set the camera on bulb. I put the camera on the dashboard above the steering wheel and used the remote to take long exposures. This was my favorite, driving up Route 202 in Torrington toward New Hartford. It was a 77 second exposure.
Saturday, April 24, 2010
Thursday, April 22, 2010
112/365 - Don't Burst My Bubble
111/365 - Place holder
Okay, I fired my camera exactly once yesterday. To check my exposure settings. It wasn't composed or planned. I simply held the camera up and shot whatever was straight ahead. Which happened to be the tops of some trees across the street from the paper at night. I planned on taking something else after I finished up with work. But it never happened.
So, consider this filler - it is simply keeping the project going.
So, consider this filler - it is simply keeping the project going.
Wednesday, April 21, 2010
Monday, April 19, 2010
109/365 - Dinner
108/365 - My Pick
I went out today with my lensbaby and used both the macro focusing lenses stacked on it, which for me is always a roll of the dice.
With the macro lenses, I get a 14x magnification, but it is not easy to focus. The lensbaby itself takes a little bit of getting used to - it is nothing more than a lens on a bellows. You focus by pulling it in or pushing it out. And to change the aperature, you manually replace the focusing rings. Each ring has a different size hole, from f2 to f8. You can shoot wide open, too.
I've gotten pretty good with the basic lensbaby, but adding on the macro lenses is a whole different experience. You can get so close, but your point of focus is minute. Mostly, I just kind of close my eyes and hope for the best. The effects can be quite stunning. Or, I should say, the effect that some people can achieve with it can be quite stunning - I can't clain that kind of control. Yet.
But, I actually liked a few things I shot. And when that happens, it is difficult to self-edit. Part of me thinks, "What to other people want to see? Which will other people like?" But then the other part of me say, "It doesn't matter. What do you want to see?"
And this was my favorite.
With the macro lenses, I get a 14x magnification, but it is not easy to focus. The lensbaby itself takes a little bit of getting used to - it is nothing more than a lens on a bellows. You focus by pulling it in or pushing it out. And to change the aperature, you manually replace the focusing rings. Each ring has a different size hole, from f2 to f8. You can shoot wide open, too.
I've gotten pretty good with the basic lensbaby, but adding on the macro lenses is a whole different experience. You can get so close, but your point of focus is minute. Mostly, I just kind of close my eyes and hope for the best. The effects can be quite stunning. Or, I should say, the effect that some people can achieve with it can be quite stunning - I can't clain that kind of control. Yet.
But, I actually liked a few things I shot. And when that happens, it is difficult to self-edit. Part of me thinks, "What to other people want to see? Which will other people like?" But then the other part of me say, "It doesn't matter. What do you want to see?"
And this was my favorite.
Sunday, April 18, 2010
107/365 - Coming 'Round the Bend
Friday, April 16, 2010
106/365 - Clarice
Thursday, April 15, 2010
104/365 - Executing art
I grew up in Yonkers, went to college and grad school in the Bronx, and never stepped foot in the Guggeneheim until yesterday. (Yes, I'm a day late posting this.)
There was an exhibit on modern photography and video. Some of it was completely beyond my comprehension. Some of it was interesting. With the exception of two pieces, one of which I was familiar with, I can't say I liked any of it.
One of the works consisted of about a dozen front pages of the Herald Tribune from November of 1977. The masthead and the photos were the only things on the pages - no copy. And it was interesting to look at the images as they had been layed out, just floating on the page, untethered by explanations or even cutlines.
But as I looked at the pages, I struggled with the meaning of "art." I liked it well enough. It was interesting to look at. But, I kept thinking, what had this person done, really, other than reinterpret other people's photographs or page design. (I don't know how accurately "page design" can be applied to newspapers from 1977.)
On the flip side, I argued with myself, isn't that what art is? Not necessarily the "doing" but the "imagining." Sure, anyone can do it, but only this particular woman thought to and did. Maybe it's not even in the imaging as much as it is in the doing. Because really, success on any level is achieved by the people who do, who act on their ideas.
And any exhibit that makes one thing about the meaning of art is time well spent, even if you hate all of it.
Tuesday, April 13, 2010
103/365 - Lucky Bottle Cap
I took Thomas and Julia down to Fordham today. We met my father for lunch at Pete's, then walked down Arthur Ave. Thomas found a Heineken bottle cap, and of course Julia wanted one, too. We picked this one up on the corner of Arthur Ave. and 187th St.
Thomas and Julia are now sound asleep with their bottle caps safely on grandfather's book shelf.
Monday, April 12, 2010
102/365 - Night Glow
101/365 - Driving Home, Again
Sunday, April 11, 2010
100/365 - Maybe a balrog lurks in the tower
Friday, April 9, 2010
99/365 - Youth
Thursday, April 8, 2010
98/365 - "Digging coal, from the bottom of your grave"
Wednesday, April 7, 2010
97/365 - Giraffe on the Street
I have hit brick wall at the moment. My camera is nothing but a source of irritation at best, extreme frustration at worst. I honestly didn't want to shoot anything today. I forced myself to try and wandered around Collinsville a little this morning. Nothing worked, the light was terrible.
Usually I can find something, my eye notices some little detail that inspires me. Not today. As I was getting ready to leave, I noticed a baby/children's gift shop and it had a giant stuffed giraffe sitting out front. After a moment's hesitation and a left turn from the right lane, I pulled over and took a picture, figuring at least if it wasn't something brilliant, it was at least out of the ordinary.
I came home and didn't pick up the camera again all day. Maybe I will make up with it tomorrow.
Usually I can find something, my eye notices some little detail that inspires me. Not today. As I was getting ready to leave, I noticed a baby/children's gift shop and it had a giant stuffed giraffe sitting out front. After a moment's hesitation and a left turn from the right lane, I pulled over and took a picture, figuring at least if it wasn't something brilliant, it was at least out of the ordinary.
I came home and didn't pick up the camera again all day. Maybe I will make up with it tomorrow.
Tuesday, April 6, 2010
Monday, April 5, 2010
95/365 - I Almost Threw in the Towel
I just didn't feel like taking any pictures today. I've been working a lot and the house is a mess. The last thing on my mind was creativity. And I thought, what difference does it make? Really, who will care if I stop this project? It's not like I'd stop taking pictures.
But I'd care. Because it's about the discipline. And knowing that forcing yourself to take a picture, even when there's no inspiration there, will make you a better photographer.
But I'd care. Because it's about the discipline. And knowing that forcing yourself to take a picture, even when there's no inspiration there, will make you a better photographer.
Sunday, April 4, 2010
93/365 - Not My Type
On my way into work today I got the idea off trying to use my flash off-camera to light up one of the old typewriters at work from the inside. It didn't work they way I had hoped because the typewriters don't have much room inside for the flash. So, I couldn't quite get the angle I wanted.
So instead of having an illuminated typewriter, I just focused on the keys.
So instead of having an illuminated typewriter, I just focused on the keys.
Friday, April 2, 2010
92/365 - Jammin' in Collinsville
There's a great place to eat in Collinsville called LaSalle's Market. It looks like a general store inside, and is filled with mix-matched chairs and tables. There are always people in there at all times of the day. And they host an open mic every Friday evening.
It's kind of like going to an outdoor music series in the summer, with people eating, hanging out and listening to music.
It's kind of like going to an outdoor music series in the summer, with people eating, hanging out and listening to music.
Thursday, April 1, 2010
91/365 - A Not-So-Willing Subject
Thomas, Julia and I went to the library after school today because the head librarian is retiring and it was Betsy Day to say goodbye to her. We wanted to wish her well, but I was also taking pictures for the town's online news site.
I was trying to set my exposure and light settings, and asked Thomas to smile for the camera. You can see how he felt about it.
I was trying to set my exposure and light settings, and asked Thomas to smile for the camera. You can see how he felt about it.
90/365 - A Day Late ...
... for posting the blog, but I promise I shot the picture yesterday. So I think it still counts.
I am fascinated by film. I always have been, And now that it's almost a relic of the past, it holds an even stronger appeal. And to find old images, 15 years old, lying around and forgotten, no longer needed - well, that just begs for a photograph. Or a short story.
I am fascinated by film. I always have been, And now that it's almost a relic of the past, it holds an even stronger appeal. And to find old images, 15 years old, lying around and forgotten, no longer needed - well, that just begs for a photograph. Or a short story.
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2010
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April
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- 119/365 - Running to Stand Still
- 118/365 - I Walk the Line
- 118/365 - Closing Time
- 117/365 - Catch light
- 116/365 - Smoke art
- 115/365 - Fade away
- 114/365 - Route 202
- 113/365 - Hello Meteor
- 112/365 - Don't Burst My Bubble
- 111/365 - Place holder
- 110/365 - Any guesses?
- 109/365 - Dinner
- 108/365 - My Pick
- 107/365 - Coming 'Round the Bend
- 106/365 - Clarice
- 105/365 - Cherry Blossom
- 104/365 - Executing art
- 103/365 - Lucky Bottle Cap
- 102/365 - Night Glow
- 101/365 - Driving Home, Again
- 100/365 - Maybe a balrog lurks in the tower
- 99/365 - Youth
- 98/365 - "Digging coal, from the bottom of your gr...
- 97/365 - Giraffe on the Street
- 97/365 - Tired
- 95/365 - I Almost Threw in the Towel
- 94/365 - Harvey the Cat
- 93/365 - Not My Type
- 92/365 - Jammin' in Collinsville
- 91/365 - A Not-So-Willing Subject
- 90/365 - A Day Late ...
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